In fact, interior design is an interior space architectural design. Good interior architects must not only understand aesthetics, art modeling, color relations, lamp optics, but also ergonomics, environmental studies, sociology, Psychology, and related architectural composition and architectural feng shui patterns. From the perspective of indoor architectural design, good design works should have three aspects: First, good Feng Shui pattern planning and design. When doing this design, the feng shui we are talking about is not the feng shui of metaphysicalism in the traditional sense, but the rationality of the reform and adjustment and scientific planning of the existing defects and non-benign influences. This reformable adjustment is based on the conditions allowed by the building structure, rather than an unrealistic and unrealistic transformation. The second is a reasonable space use function design. In the design of the space function, in addition to the needs of today's life, we should be able to participate in a variety of thinking after a few days. Don't make the space "dead", but leave the space "live" for future changes and modifications. The third is effective visual aesthetic design. With reasonable Feng Shui planning and reasonable space use functions, it is still not complete enough, and it needs to be integrated into the artistic design of the United States to help the residents create beautiful living art here. If the interior design is set to the individual metaphor of the person, the good Feng Shui pattern planning design is the skeleton and the tendon part. The reasonable space use function design is the muscle and blood part, and the effective visual aesthetic design is the skin and hair part. Such an interlocking organic combination can create a complete person. The same is true of design. When it comes to feng shui, it can be traced back to a very long time ago. As early as thousands of years ago, the ancients paid great attention to the feng shui built by houses and graves. In the Han Dynasty, Feng Shui was called "Kang Hing". Feng Shui has a direct impact on human beings in life, such as earthquakes, floods, hail, etc., collectively known as natural disasters. In the Yin and Shang Dynasties (3500-4000 years ago), Oracle used sixty-six-day counts to make ten-day dry and twelve-day branches, arranged in sixty-nine as a unit, and adjusted the solar year and the lunar year in the next month. The difference is that the month and season can be coordinated. Therefore, since ancient times, we have chosen the choice of living environment, from the establishment of the country to the construction of the capital, to the construction of small homes, and the good location of the Tibetan water has always become the first choice for human settlement. About the living room feng shui planning in the house: The living room is not only a place for hospitality, but also a place for family gatherings and chats. It should be the most lively and harmonious place in the entire living room. From the perspective of space design, the living room is an important area for visual effects in the home, and it is also the first embodiment of home culture. The furnishings in the living room are also a symbol of personal taste to some extent. From the perspective of spatial feng shui layout planning, the orientation planning of the living room is particularly important. In the traditional home house feng shui, the living room is referred to as the “financial positionâ€, which affects the family’s wealth, career, fame, etc., so the living room The layout design and layout of the layout cannot be ignored. The living room of the dry house must be bright, and the use of a large number of white system colors will make the residents smart and delicate. If the dark color is more than half of the area of ​​four sides, the occupants are stupid and more disadvantageous for men. Against the house living room should be bright and appropriate, but should not be too bright, white tone that is not using more than three-quarters or three large windows facing the total area, otherwise this family fear rule the woman, and the fear of injury is a husband or a man lurking crisis. The living room of the mansion should not be too wide, mostly white, khaki, brown as well. It is not advisable to leave too much useless space in the living room of the house, otherwise it is easy to attract fire disasters and lawsuits. The living room of the Kan House should be quiet and cool, not too bright, otherwise it will be bad for money. There are many living room equipments in Kunzhai. The furniture is made of heavy materials and uses yellow or wood color system. The living room of the mansion should be light and wide, and the green system can be used more. The living room of the Zhonggong House can be freely set, but the yellow system must be used to unify the whole room.